That Floating Poo Was Far Too Meaningful! It's the TV Letdowns of the Past Year.

Looking back, we reflect on the television landscape of the recent year, a selection of shows emerge not for their excellence, but for their spectacular failures. Ranging from cringe-inducing sequels to bafflingly bad documentaries, here are the programmes that left us utterly bewildered or just reaching for the remote.

And Just Like That

How to start with this divisive follow-up? Plagued with dreadful scripts, cringe-inducing arcs (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series fought to find its footing. Briefly, as the final season started, it looked like it had finally hit its stride. Then arrived an episode all about Seema’s natural deodorant. Little surprise the creator announced this would be the final season. It concluded on a low point; the closeup of Miranda’s toilet flooded with poo was simply too on-the-nose. Still, viewers undeniably had a hoot dissecting every single “wtf?” episode. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who didn’t release a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the least of this drama's issues. The subject of a exceedingly uncommon zero star review, it was difficult to know where to begin enumerating the flaws. The laughably wooden dialogue? The tedious veneration of wealth and materialism? The almost wilful procession of cliches? Performances so bad they felt almost spiteful? Suffice it to say “each and every one” and forget about this show again. Except, a new season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Considering the legal troubles, domestic violence claims and fatherly failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d truly have gleaned it from this three-part documentary which chuckled along at Sheen’s various episodes of self-destructive hedonism while struggling to tell us a single thing we weren't already aware of. Rather, it felt as if this volatile personality was being pandered to, so any pity this show might induce should be reserved for the people who have had to suffer close contact with this charming but flippant narcissist.

The Iris Affair

Of course we understood it was preposterous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of pure admiration for its stars … but by the end, it felt like even they had stopped bothering. One scarcely reacted when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.

The Gangster Drama

Shady characters convening in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is unfair on the gangland dramas of the late 90s. Many seem a little dated now, but at least they didn’t endure the ignominy of having to accommodate baffling accents. But there were many other problems. Primarily that it was just profoundly boring; a dispute over narcotics territory between various cockney rogues which seemed a bit basic.

The Meghan Markle Series

Considering the extent to which she provokes the ire of certain performatively enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s various ventures into quaint homemaking as deliberate statements. But then you view them and are forced to admit that actually, they may have a point. It’s like watching a lifestyle catalogue come to life; a poster for wine o’clock with delusions of grandeur; a procession of snoozing dogs, humming beehives, sentimental sayings and pointless crafting “hacks” you’ll forget instantly. All underpinned by vast, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be said about both Victoria Beckham and her struggles with career, self-image, self-worth. But for whatever reason, this documentary series opted not to say them. Instead, the experience was akin to reading a sales brochure. She obviously has good reason to bridle at what she describes as her “stern” image. But sadly, she failed to do herself any helps with this guarded letdown of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even more extravagant, with a glamorous star as a deceased benefactor and a well-known personality overseeing her inheritance. What more could you want? As contestants competed, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s even now too confusing to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The series ended up smelling of a production that was trying way too hard to live up to something way beyond it.

Too Much

How does one succeed a show that defined a generation? The pressure was immense for this starry romcom about Jessica, a hopeful New Yorker who arrives in London with a shattered romance. The lead actress took her biggest role by the horns and was joyous to watch, reveling in Austen levels of romantic ideals. But it was all very slick and, ironically, was not enough. Plus, the abundance of celebrity cameos involved felt icky.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the shrewd recruitment of talented younger comics, expectations were high. But sadly, most of it didn’t land. A particular sketch was a single joke stretched to a husk but recurring in every episode. One star seemed too willing to slip into a well-known ranting mode. The behind-the-scenes sketches, in contrast, simply inspired the idea that they should probably have remained in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this was not it. The material needed to be handled with care. Instead, the series laboured awkwardly to find the right voice, lumbering from oddly breezy, slightly mannered farce to inevitably, real-life horror. Complex? Arguably. A total mess? Absolutely.

The Maths Genius Thriller

We love the star … but did we buy him playing the most brilliant maths genius in history, a man so intelligent he’s on the brink of a breakthrough that could destabilise society? No! This international thriller about government agencies targeting – and eliminating – academics honestly got more farcical by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the online personality renowned for sexual escapades as she undertook her biggest feat yet. What on earth would motivate her? What we wanted was far greater interrogation of her true psychology, plus those of the men in the queue. They could at least have spoken to the legendary mum who appeared to haul her son out of the queue. What we got was disturbing shots and absolutely no interrogation of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.

David Jackson
David Jackson

Elara Vance is a digital strategist with over a decade of experience helping businesses optimize their online marketing efforts for measurable growth.